Typography Task 2 - Typographic Exploration and Communication
03/11/2023 - 10/11/2023 ( Week 6 - Week 7 )
Chong Wee Han / 0368863
Typography / Bachelor of Design (Honours) in Creative Media / Taylor's
University
Task 2 - Typographic Exploration and Communication
JUMPLINK
1.Lectures
3.Task 2
4.Feedback
LECTURES
Week 6: Lecture 6
Typo_6_Screen & Print
Typography in Different Medium
- Print Type vs Screen Type
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Figure 1.1 Print Type |
-Type for Print
Type was designed intended for reading from print long before we read from
screen. It’s the designer’s job to ensure that the text is smooth, flowing,
and pleasant to read.
Good typeface for print : Caslon, Garamond, Baskerville
Because of their characteristic which are elegant and intellectual but also highly readable when set at small font size.
Because of their characteristic which are elegant and intellectual but also highly readable when set at small font size.
They are versatile, easy-to-digest classic typeface, which has a neutrality
and versatility that makes typesetting with it a breeze.
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Figure 1.2 Screen Type |
-Type for Screen
Typefaces intended for use on the web are optimized and often modified to
enhance readability and performance onscreen in a variety of digital
environments.
This can include a taller x-height (or reduced ascenders and descenders),
wider letterforms, more open counters, heavier thin strokes and serifs,
reduced stroke contrast, as well as modified curves and angles for some
designs.
Another important adjustment – especially for typefaces intended for
smaller sizes – is more open spacing. All of these factors serve to improve
character recognition and overall readability in the non-print environment,
which can include the web, e-books, e-readers, and mobile devices.
Hyperlink
A word, phrase, or image that you can click on to jump to a new document
or a new section within the current document.Text hyperlinks are normally blue and underlined by default. When you move
the cursor over a hyperlink, whether it is text or an image, the arrow
should change to a small hand pointing at the link.
Font Size for Screen
16-pixel text on a screen is about the same size as text printed in a book or
magazine; this is accounting for reading distance. Because we read books
pretty close — often only a few inches away — they are typically set at about
10 points. If you were to read them at arm’s length, you’d want at least 12
points, which is about the same size as 16 pixels on most screens.
System Fonts for Screen / Web Safe Fonts
Each device comes with its own pre-installed font selection. Which is
based largely on its operating system. The problem is that each differs a
little bit.
Windows-based devices might have one group. While MacOS ones pull from
another. Then Google’s own Android system uses their own as well.
‘Web safe’ ones, however, appear across all operating systems. They’re the
small collection of fonts that overlap from Windows to Mac to Google.
Open Sans, Lato, Arial, Helvetica, Times New Roman, Times, Courier New,
Courier, Verdana, Georgia, Palatino, Garamond.
Pixel Differential Between Devices
INSTRUCTIONS
<iframe
src="https://drive.google.com/file/d/1h_aGSkG2neC2veWzhV4tTQZZBPhxqTs5/preview"
width="640" height="480" allow="autoplay"></iframe>
This task we have to design the illustration and put it into our
layouts.We use 2-page (200mmx200mm) of editorial layouts to complete our
task.
Sketches
Layout Process
I get the inspiration from the design of 'CHAOS' and reflect on my layout#3 'BAUHAUS'. Besides, I also add the warp effect on ' The Role of '.
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Figure 4.3 Hidden characters and alignment (Week 6) 2/11/2023 |
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Figure 4.4 Hidden characters and alignment (Week 6) 2/11/2023 |
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Figure 4.5 Hidden characters and alignment (Week 6) 2/11/2023 |
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Figure 4.6 Inspiration of layout#3 (Week 6) 2/11/2023 |
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Figure 4.7 Design of 'BAUHAUS' (Week 6) 2/11/2023 |
I get the inspiration from the design of 'CHAOS' and reflect on my layout#3 'BAUHAUS'. Besides, I also add the warp effect on ' The Role of '.
For the layout#1 & 2 I focus on the design of BAUHAUS by using larger
text size and 3D effect to make it look more eye-catching. I want the
composition to be more neat and tidy so I uniformly put my body text on the
left side.
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Figure 4.8 Initial Layouts (Week 6) 2/11/2023 |
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Figure 4.9 Initial Layouts (Blocks) (Week 6) 2/11/2023 |
HEAD
Font/s: Univers LT Std (Layout #1 &2), Futura Std (Layout #3)
BODY
Font/s: Janson Text LT Std (body text), Adobe Caslon Pro(lead-in text)
Type Size/s: 10pt (body text), 19pt (lead-in text)
Leading: 13pt (body text), 21.5pt (lead-in text)
Paragraph spacing: No paragraph spacing
Characters per-line: 51-57
Alignment: Left align
Font/s: Janson Text LT Std (body text), Adobe Caslon Pro(lead-in text)
Type Size/s: 10pt (body text), 19pt (lead-in text)
Leading: 13pt (body text), 21.5pt (lead-in text)
Paragraph spacing: No paragraph spacing
Characters per-line: 51-57
Alignment: Left align
Margins: 10mm top, 10mm left + 10mm right + 10mm bottom
Columns: 2
Gutter: 5mm
Columns: 2
Gutter: 5mm
New Layouts
After getting the feedback from Mr.Vinod, I changed the body text from Janson Text LT Std Bold to 55 Roman and the mistake of the word 'Thoughts' I also changed it to 'Thought'. Mr.Vinod said that my illustration (left page) does not emphasizing the theme of 'BAUHAUS' so I rearranged the words to make it look like a house so that it can fit in with the words.
HEAD
Font/s: Univers LT Std (Layout #1 &2), Futura Std (Layout #3)
BODY
Font/s: Janson Text LT Std (body text), Adobe Caslon Pro(lead-in text)
Type Size/s: 10pt (body text), 19pt (lead-in text)
Leading: 13pt (body text), 21.5pt (lead-in text)
Paragraph spacing: No paragraph spacing
Characters per-line: 51-57
Alignment: Left align
Font/s: Janson Text LT Std (body text), Adobe Caslon Pro(lead-in text)
Type Size/s: 10pt (body text), 19pt (lead-in text)
Leading: 13pt (body text), 21.5pt (lead-in text)
Paragraph spacing: No paragraph spacing
Characters per-line: 51-57
Alignment: Left align
Margins: 10mm top, 10mm left + 10mm right + 10mm bottom
Columns: 2
Gutter: 5mm
Columns: 2
Gutter: 5mm
FINAL OUTCOME TASK 2 - Typographic Exploration and Communication
HEAD
Font/s: Univers LT Std
BODY
Font/s: Janson Text LT Std (body text), Adobe Caslon Pro(lead-in text)
Type Size/s: 10pt (body text), 19pt (lead-in text)
Leading: 13pt (body text), 21.5pt (lead-in text)
Paragraph spacing: No paragraph spacing
Characters per-line: 51-57
Alignment: Left align
Font/s: Janson Text LT Std (body text), Adobe Caslon Pro(lead-in text)
Type Size/s: 10pt (body text), 19pt (lead-in text)
Leading: 13pt (body text), 21.5pt (lead-in text)
Paragraph spacing: No paragraph spacing
Characters per-line: 51-57
Alignment: Left align
Margins: 10mm top, 10mm left + 10mm right + 10mm bottom
Columns: 2
Gutter: 5mm
Columns: 2
Gutter: 5mm
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Figure 4.12 Final Outcome - Typographic Exploration and Communication JPG (Week 7) 10/11/2023 |
Figure 4.13 Final Outcome - Typographic Exploration and
Communication PDF (Week 7) 10/11/2023
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Figure 4.14 Final Outcome - Typographic Exploration and Communication with grids JPG (Week 7) 10/11/2023 |
Figure 4.15 Final Outcome - Typographic Exploration and Communication
PDF with grids (Week 7) 10/11/2023
FEEDBACK
Week 7
General Feedback: Don’t format the text in bold type. Bold is only used for the headline but is not suitable for use in body text.
Specific Feedback: The word ‘Thought’ I have unwritten it into ‘Thoughts’. The illustration of Layout#1 & 2 does not emphasize the BAUHAUS style.
REFLECTIONS
Experience: The task 2 is about designing an editorial layout in Indesign. I
felt more comfortable using Indesign during this second exercise but I'm
facing difficulty due to a lack of creativity. I personally think that I
didn't optimize my layout into diversification.
Observation: I observe that there are many details that we need to be careful
about when we arrange our layout. Small details especially the leading,
alignment, etc can change the final artwork.
Findings: To get more inspiration, it's very important to view others' work and do research online. Keep on trying different layouts then you will find the most suitable one.
FURTHER READING
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Figure 5.1 Typographic Design: Form and Communication
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Since I had learned the basic rules of character and word spacing, I chose this book to solidify the knowledge in my mind. There is a big difference between words with kerning and without kerning. It can help your article to become more neat and easy to look at.
QUICK LINKS
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